A letter from a reader Cardigan Flower Sweater M
THE COZY CARDIGAN THAT FINALLY HAS SOME JOY IN IT.
On the eighteen printed cardigans that do the entire job — worn open over the plainest thing you own.
I am 63, and getting dressed used to take me longer than it should. Not because I have a great deal of clothing, but because everything I own is a piece of something. This goes with that, that needs the other thing, and none of it is a decision until three of them are.
What I actually wanted was one thing that was already the answer. Something where I put on a white shirt and white pants — the plainest things in the drawer, no decision at all — and then chose the one interesting item and was finished.
It was my daughter Sarah, up in Boston, who sent me a link and said these are all built for exactly that. They come from a small family boutique here in South Carolina. Before I tell you what I found, I think you should read the Clarke family's letter first.
The Clarke family runs a small boutique here in South Carolina, family-run since 1986 — three generations, mother to daughter. There are eighteen in this collection, and their letter walks through the things every single one of them has in common. I am going to let their words carry it, because they say it better than I could.
1The prints are painted, and they do not repeat

Stand in front of any of these and try to find where the pattern starts again. It does not. Each one is painted across the whole garment rather than tiled from a square, so the brush marks run where they run and the edges of the color are uneven. A repeating print announces itself as manufactured from six feet away. A painted one does not, because there is nothing regular in it for the eye to catch.
2A plain round neck, and nothing else on them
Not one cardigan in this collection has a collar. No lapels, no trim, no pockets, no contrast edging anywhere. When the print is doing all the work, every extra thing you add is something competing with it — and the usual result is a garment where two ideas are arguing and neither wins. We took everything else off and left the print alone.
3Large wooden buttons on every one

All eighteen use the same button: big, round, warm brown and matte. That is deliberate twice over. A matte wooden button sits back and lets the color come forward, where a shiny or a white one would jump out of every photograph and every mirror. And large buttons are simply easier to do up at the door, which after a certain age is not a small thing.
4You can see the stitches through the color

Look closely and the ridges of the knitting run right through the pattern. That tells you it is a genuine knit carrying a print — not a flat printed cloth cut and sewn into the shape of a cardigan, which is what a great deal of printed knitwear actually is. The texture is still there underneath, so it looks like a sweater in the hand as well as in a photograph.
5Worn open, over the plainest thing you have

Every one of these is cut to hang open over a plain top, and that is not a photograph decision — it is how the whole thing is meant to work. The base goes blank on purpose: a white shirt, white or light pants, nothing underneath asking for attention. Then there is exactly one decision left in the morning, and it is which cardigan.
6Eighteen of them, all at one price
There are eighteen designs and every one is the same price, so the choosing is about which painting you want and nothing else. There are florals, a few with cats, dots, stripes and some worked in two colors. Sizing varies a little from design to design, so check the chart on whichever one you pick rather than assuming.
These, against the printed knitwear in the stores
| The usual printed cardigan | This collection | |
|---|---|---|
| The pattern | A repeat, tiled from one square | Painted across the whole garment |
| What it is made of | Printed cloth sewn into a shape | A knit, with the stitches showing through |
| What else is on it | A collar, trim, pockets — all competing | A plain round neck and nothing else |
| The buttons | Small, shiny, jumping out at you | Large, wooden and matte, sitting back |
| Getting dressed | Three decisions before breakfast | A white top, and then choose one |
- A repeat, tiled from one square
- Printed cloth sewn into a cardigan shape
- A collar, trim and pockets, all competing
- Small shiny buttons jumping out at you
- Three decisions before breakfast
- Painted across the whole garment
- A knit, with the stitches showing through
- A plain round neck and nothing else
- Large wooden buttons that sit back
- A white top, and then choose one
Why they're clearing them now

They priced these at $199.95 when they came in, and they sold at that price all season. But for America's 250th, the Clarke family wanted to give something back to the women who have kept their doors open since 1986 — so every one of the eighteen is going out at less than a third of that.
Mine arrived a few days later in a box on the bed. I held it up to the light to see the knitting under the color, which is the only test I know.

The Printed Cardigans
- Painted prints with no repeat anywhere in them
- A real knit — you can see the stitches through the color
- A plain round neck, no collar, no trim, nothing competing
- Large matte wooden buttons on all eighteen
- Worn open over a plain top · 18 designs, one price · Free UPS shipping
The Printed Cardigans · $59.95 each while sizes last
Buy 2 get 10%, buy 3 get 15%, buy 4 get an extra 20% off. When it's gone, it's gone.
I do not usually write things like this. But I had spent years owning a closet full of pieces of outfits, and it had never occurred to me to simply own one thing that was the whole answer. If your mornings look like mine did, I hope you find your size before they clear.
— Margaret Ellison · Mount Pleasant, SC
See all 18 — $59.95 each →This is a personal account from a Clarke Family customer. Margaret was not paid to write it. · The Clarke Family · Family Fashion · South Carolina, since 1986 · Free UPS shipping · 30-day money-back guarantee.